Half-handed Cloud delights with retro synthesizer explorations and lyrics focused on the Holy Spirit in his latest EP, Jiminy Circuits.
In their proper debut record, The Whisper II, Shoecraft puts out their most patient, complete, and masterful work to date.
The cassette for Gulch Days by Crater Lakes arrived at my home in a neat little cardboard box which was adorned with … More
So things have been busy. I recently took a trip with my dad down to the South, WE\ARE\MIRRORS had its … More
When I arrived at the release show for BRUNT — the latest EP from Everett band LEAVA — the band’s mastermind … More
On their sophomore full-length Beyond Control, Seattle band Kings Kaleidoscope evidences much growth but still shows they need much refinement.
Yesterday on the music blog A Diverse Sound (for which I occasionally write), I posted a review of an EP … More
Anthony Aparo’s solo debut reveals an unseen side of the artist’s musical personality and taste.
Kris Orlowski’s sophomore full-length, Often in the Pause, develops the band’s sound by finding a more comfortable place in multiple styles.
In Civilized Creature’s fourth release, Tales & Tails, the Portland beatster finds himself making the album he was destined to make.
Gungor’s One Wild Life trilogy is unified by an abstract conceptual tie, exploring the ideas and meaning behind soul, spirit, … More
Square Peg Round Hole redefines instrumental music in their sophomore record Juniper, out March 25th on Spartan Records.
By virtue of its stark brilliance, SECRETS is a daunting album to review.
Seattle’s Clone Wolf just released their self-titled EP, and it’s a raw effort that displays great potential and ambition.
Paper Lights emerges as a fully realized project in their debut album Great Escapes.