Nashville singer/songwriter Issac Gill breaks his five-year musical silence with a remarkable, intimate Christmas EP.
Poppies demonstrate effortless focus in their debut EP, “Good.”
Anacortes “supergroup” BUFFET rebukes hypocrites in only a few short lines in the centerpiece of their debut EP.
Nail Houses displays tasteful malcontent through claustrophobic industrial post-punk in his gripping debut.
In their latest effort, Those Lavender Whales strike the difficult balance between earnestness and sincerity.
Leava challenges the notion of celebrity in his finest work yet, “The Lovely Grind.”
Harp Family Recordings’ second hymn compilation is a compelling and impressive collection of sacred music.
Nashville singer-songwriter releases lead single for sophomore record, due 4/21.
Over the last couple of months, I’ve discovered some records that, in hindsight, were some really incredible highlights of the … More
Half-handed Cloud delights with retro synthesizer explorations and lyrics focused on the Holy Spirit in his latest EP, Jiminy Circuits.
In their proper debut record, The Whisper II, Shoecraft puts out their most patient, complete, and masterful work to date.
The cassette for Gulch Days by Crater Lakes arrived at my home in a neat little cardboard box which was adorned with … More
So things have been busy. I recently took a trip with my dad down to the South, WE\ARE\MIRRORS had its … More
When I arrived at the release show for BRUNT — the latest EP from Everett band LEAVA — the band’s mastermind … More
On their sophomore full-length Beyond Control, Seattle band Kings Kaleidoscope evidences much growth but still shows they need much refinement.