This album may be called “Seasons of Limbo,” but Bomethius has never felt more direct and assured.
In his fourth record as Bomethius, Jonathan Hodges presents his varied talents and skills in their finest incarnations.
Reagan Sloman’s acoustic offering is a potent and intimate look through the eyes of an exceptionally talented and mysterious songwriter.
“All-American” crushes you with the weight of 21st century living. Then it makes you laugh at its mundanity and madness.
For listeners looking for a thoughtful exploration of heartache, “Child of My Sorrow” is an essential listen.
Nashville singer/songwriter Issac Gill breaks his five-year musical silence with a remarkable, intimate Christmas EP.
Nail Houses displays tasteful malcontent through claustrophobic industrial post-punk in his gripping debut.
In their latest effort, Those Lavender Whales strike the difficult balance between earnestness and sincerity.
Leava challenges the notion of celebrity in his finest work yet, “The Lovely Grind.”
Half-handed Cloud delights with retro synthesizer explorations and lyrics focused on the Holy Spirit in his latest EP, Jiminy Circuits.
In their proper debut record, The Whisper II, Shoecraft puts out their most patient, complete, and masterful work to date.
Throughout his Maraqopa Trilogy, Damien Jurado has become more comfortable with the notion of a concept album. The first entry, … More
The Normal Knees’ NFfCR debut, Attic Static Sticker Star shows the power of collaboration and conscience while exploring the themes … More
By virtue of its stark brilliance, SECRETS is a daunting album to review.
Half-handed Cloud has Foiled us again with another marvelous self-released EP.