In the most unembellished record of his career, Damien Jurado grapples with hopelessness and loneliness to striking effect.
Moondrive presents an intriguing set of intricate soundscapes in their self-titled debut LP.
Poppies demonstrate effortless focus in their debut EP, “Good.”
On their sophomore full-length Beyond Control, Seattle band Kings Kaleidoscope evidences much growth but still shows they need much refinement.
Yesterday on the music blog A Diverse Sound (for which I occasionally write), I posted a review of an EP … More
Anthony Aparo’s solo debut reveals an unseen side of the artist’s musical personality and taste.
Kris Orlowski’s sophomore full-length, Often in the Pause, develops the band’s sound by finding a more comfortable place in multiple styles.
In Civilized Creature’s fourth release, Tales & Tails, the Portland beatster finds himself making the album he was destined to make.
Square Peg Round Hole redefines instrumental music in their sophomore record Juniper, out March 25th on Spartan Records.
Paper Lights emerges as a fully realized project in their debut album Great Escapes.
Atlanta’s premier synthpop group cultureculture offers their most expansive and satisfying work to date in their sophomore EP JX-3Please.
St. Lucia’s sophomore album Matter ushers listeners into wide open spaces in a charming and retrospective journey.
Worship music is hard to write. There is a delicate balance that needs to be struck of simplicity in lyrics … More
Foals has been my favorite rock band since I discovered 2013’s Holy Fire. Their fourth full-length outing, What Went Down, … More
Earlier this year, Gungor announced that they are releasing a trilogy of albums called One Wild Life (the three parts … More