Moondrive presents an intriguing set of intricate soundscapes in their self-titled debut LP.
A guest review by Michael Minkoff, Jr. of the latest from baroque pop singer-songwriter Bomethius.
The debut EP from singer/songwriter Tina Boonstra is a solid collection of tunes that feature crisp and safe production and songwriting.
Nashville singer/songwriter Issac Gill breaks his five-year musical silence with a remarkable, intimate Christmas EP.
Poppies demonstrate effortless focus in their debut EP, “Good.”
Nail Houses displays tasteful malcontent through claustrophobic industrial post-punk in his gripping debut.
In their latest effort, Those Lavender Whales strike the difficult balance between earnestness and sincerity.
Leava challenges the notion of celebrity in his finest work yet, “The Lovely Grind.”
Harp Family Recordings’ second hymn compilation is a compelling and impressive collection of sacred music.
Half-handed Cloud delights with retro synthesizer explorations and lyrics focused on the Holy Spirit in his latest EP, Jiminy Circuits.
In their proper debut record, The Whisper II, Shoecraft puts out their most patient, complete, and masterful work to date.
On their sophomore full-length Beyond Control, Seattle band Kings Kaleidoscope evidences much growth but still shows they need much refinement.
Yesterday on the music blog A Diverse Sound (for which I occasionally write), I posted a review of an EP … More
Anthony Aparo’s solo debut reveals an unseen side of the artist’s musical personality and taste.
Kris Orlowski’s sophomore full-length, Often in the Pause, develops the band’s sound by finding a more comfortable place in multiple styles.