This album may be called “Seasons of Limbo,” but Bomethius has never felt more direct and assured.
In his fourth record as Bomethius, Jonathan Hodges presents his varied talents and skills in their finest incarnations.
The long-awaited full-length release from Oliver Elf Army finds them at their darkest—and also at their best.
Reagan Sloman’s acoustic offering is a potent and intimate look through the eyes of an exceptionally talented and mysterious songwriter.
STREAKING IN TONGUES tackles marriage and divorce in their most imminently listenable and emotionally eviscerating offering yet.
In the most unembellished record of his career, Damien Jurado grapples with hopelessness and loneliness to striking effect.
“All-American” crushes you with the weight of 21st century living. Then it makes you laugh at its mundanity and madness.
The latest from My Brightest Diamond is an art-pop triumph. Guest review by S. Amanda Clevinger.
For listeners looking for a thoughtful exploration of heartache, “Child of My Sorrow” is an essential listen.
Everett’s I Will Keep Your Ghost has at last returned with a bigger, sleeker sound on “Options.”
Moondrive presents an intriguing set of intricate soundscapes in their self-titled debut LP.
A guest review by Michael Minkoff, Jr. of the latest from baroque pop singer-songwriter Bomethius.
The debut EP from singer/songwriter Tina Boonstra is a solid collection of tunes that feature crisp and safe production and songwriting.
Nashville singer/songwriter Issac Gill breaks his five-year musical silence with a remarkable, intimate Christmas EP.
Poppies demonstrate effortless focus in their debut EP, “Good.”