Watch the premiere of Paper Lights’ new music video for “Simple.”
In the most unembellished record of his career, Damien Jurado grapples with hopelessness and loneliness to striking effect.
Teardrops is essential listening for fans of Richard Swift, The Shins, and experimental electronic music alike.
“All-American” crushes you with the weight of 21st century living. Then it makes you laugh at its mundanity and madness.
The latest from My Brightest Diamond is an art-pop triumph. Guest review by S. Amanda Clevinger.
I’m going to ring in 2019 with my longest year-in-review post yet. So, buckle up; we’ve got a long ride ahead of us.
“I Don’t Have a Bib” is a true gift and a warm hug of an album.
For listeners looking for a thoughtful exploration of heartache, “Child of My Sorrow” is an essential listen.
Tenessee pop act Superbody released a new single and video, and it’s a fantastic step forward for the band.
The year has already run more than half its course, and it’s honestly been a somewhat strange year for music.
The latest split single by Hexn is a dense fireball of a release, with scorching textures and tight composition.
Everett’s I Will Keep Your Ghost has at last returned with a bigger, sleeker sound on “Options.”
Moondrive presents an intriguing set of intricate soundscapes in their self-titled debut LP.
A guest review by Michael Minkoff, Jr. of the latest from baroque pop singer-songwriter Bomethius.
The debut EP from singer/songwriter Tina Boonstra is a solid collection of tunes that feature crisp and safe production and songwriting.