This album may be called “Seasons of Limbo,” but Bomethius has never felt more direct and assured.
Created and led by the multi-talented Jacob Graham, the experimental puppet show “The Creatures of Yes” takes you to another dimension.
Neither gloomy nor clumsy, DoomFolk StarterKit might be the most delightful musical surprise you’ll hear this year.
In his fourth record as Bomethius, Jonathan Hodges presents his varied talents and skills in their finest incarnations.
The long-awaited full-length release from Oliver Elf Army finds them at their darkest—and also at their best.
R. Turner’s latest batch of songs is a welcome balm for troubling times of quarantine and instability.
Reagan Sloman’s acoustic offering is a potent and intimate look through the eyes of an exceptionally talented and mysterious songwriter.
We Are Mirrors presents the most-overdue Best of 2019 list to be published on the Web.
STREAKING IN TONGUES tackles marriage and divorce in their most imminently listenable and emotionally eviscerating offering yet.
The father/son duo opens up about their band’s mythology, Kanye West, and nurturing idiosncrasy.
Watch the premiere of Paper Lights’ new music video for “Simple.”
In the most unembellished record of his career, Damien Jurado grapples with hopelessness and loneliness to striking effect.
Teardrops is essential listening for fans of Richard Swift, The Shins, and experimental electronic music alike.
I found an old mix that I made about a year ago. Fresh content soon.
“All-American” crushes you with the weight of 21st century living. Then it makes you laugh at its mundanity and madness.